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As he has shown so often in previous novels, James Sallis is one of our great stylists and storytellers, whose deep interest in human nature is expressed in the powerful stories of men too often at odds with themselves as well as the world around them. His new novel, Cypress Grove, continues in that highly praised tradition.
The small town where Turner has moved is one of America’s lost places, halfway between Memphis and forever. That makes it a perfect hideaway: a place where a man can bury the past and escape the pain of human contact, where you are left alone unless you want company, where conversation only happens when there’s something to say, where you can sit and watch an owl fly silently across the face of the moon. And where Turner hopes to forget that he has been a cop, a psychotherapist, and, always, an ex-con.
There is no major crime to speak of until Sheriff Lonnie Bates arrives on Turner’s porch with a bottle of Wild Turkey and a problem: The body of a drifter has been found-brutally and ritualistically- murdered and Bates and his deputy need help from someone with big-city experience who appreciates the delicacy of investigating people in a small town. Thrust back into the middle of what he left behind, Turner slowly becomes reacquainted not only with the darkness he had fled, but with the unsuspected kindness of others.
Brilliantly balancing Turner’s past and present lives, Cypress Grove is lyrical, moving, and filled with the sense of place and character that only our finest writers can achieve. It is proof positive that the acclaim James Sallis has enjoyed for years is richly deserved.
It is April 1946. Evelyn Sert, twenty years old, a hairdresser from Soho, sails for Palestine, where Jewish refugees and idealists are gathering from across Europe to start a new life in a brand-new country.In the glittering, cosmopolitan, Bauhaus city of Tel Aviv, anything seems possible – the new self, new Jew, new woman are all feasible. Evelyn, adept at disguises, reinvents herself as the bleached-blonde Priscilla Jones. Immersed in a world of passionate idealism, she finds love, and with Johnny, her lover, finds herself at the heart of a very dangerous game.
As it turns out, a dead man can tell stories…
Murders are a dime a dozen in Margaret Thatcher’s London, and when it comes to the brutal killing of a middle-aged alcoholic found dumped outside of town, Scotland Yard has more important cases to deal with.
Instead it’s a job for the Department of Unexplained Deaths and its head Detective Sergeant. With only a box of cassette-tape diaries as evidence the rogue detective has no choice but to listen to the haunting voice of the victim for clues to his gruesome end.
The first book in Derek Raymond’s acclaimed Factory Series is an unflinching yet deeply compassionate portrait of a city plagued by poverty and perversion, and a policeman who may be the only one who cares about the “people who don’t matter and who never did.”
For Titus and his friends, it started out like any ordinary trip to the moon—a chance to party during spring break and play with some stupid low-grav at the Ricochet Lounge. But that was before the crazy hacker caused all their feeds to malfunction, sending them to the hospital to lie around with nothing inside their heads for days. And it was before Titus met Violet, a beautiful, brainy teenage girl who has decided to fight the feed and its omnipresent ability to categorize human thoughts and desires. Following in the footsteps of George Orwell, Anthony Burgess, and Kurt Vonnegut Jr., National Book Award winner M. T. Anderson creates a not-so-brave new world—and a smart, savage satire ushering us into an imagined future that veers unnervingly close to the here and now.